Tyler Williams
Camera
Ashland, OR 97520
541.488.3532 310.488.8993 (cell)
“It's Always Sunny in Philadelphia” (2008) TV Series FX (Camera)
“Unhitched” (2008) TV Series FOX (Camera)
“Cast & Blast” (2007) TV Series Outdoor Channel HD (Camera)
“Big Day” (2006) TV Series ABC (Camera)
“Pepper Dennis: Rebecca Romijn Project” (2006) TV Series WB (Camera)
“Jake in Progress: John Stamos Project” (2005) TV Series ABC (Camera)
“Kitchen Confidential” (2005) TV Series ABC (Camera)
“Alias” (2002-2005) TV Series ABC (Camera)
"the Office" (2005) Pilot ABC (Camera)
“A Lot Like Love” (2004) Touchstone feature (Camera)
“Drew Carey Show” (2001-2004) TV series ABC (Camera)
“Spider-Man” (2002) Columbia Feature (Camera)
“Go Fish” (2001) TV Series CBS (Camera)
"Inside Schwartz" (2001) TV Series ABC (Camera)
“Grounded for Life” (2001-2003) TV Series FOX (Camera)
“Spin City” (2000-2002) TV Series ABC (Camera)
“Highway 395” (2000) Paramount Feature (Camera)
“Sports Night” (1998-2000) TV Series ABC (Camera)
“Catfish in Black Bean Sauce” (2000) Feature (Camera)
“The Breaks” (1999) Feature (Camera)
“The Dentist II” (1998) Feature (Camera)
“Townies” (1996) TV Series (Camera)
“Men Behaving Badly” (1996-1997) TV Series CBS (Camera)
In addition to these shows, I’ve done countless Pilots and worked on many nation wide spots including Infinity cars, 6 Flags USA, BMW, Budweiser, and Radio Shack (DP Russell Carpenter). Thanks to my work on “ALIAS”, I’m also familiar & comfortable with aerial, underwater, and stunt work (basically all 2nd Unit did on that show).
Before entering into the International Cinematographer’s Guild in 1996, I spent 4 years within the Studio System in Post Production, starting at Universal Television, moving on to Amblin, and finally DreamWorks SKG (when I started at DreamWorks there were only 250 employees).
Being in IATSE Local 600 and on the Hollywood Studio Roster, I have passed all the safety courses (and more) required by Contract Services.
When I’m not working at the Studios, I’m an active shooter/producer. My clients have included Herbalife, Knott’s Berry Farm, and Total Life Enhancement to name a few. I also shoot and produce my own product one of which is in the final stages of a distribution deal.
2 Arricams on 1 dolly with 50 feet of track (the Grips were happy that day...)
This Show actually dropped the HD format & went BACK to Film! The Aaton XTR is a great little camera and is my preference if shooting Super 16 (Fox Backlot NY Street)
Notice that the Panaflex is all but buried to get the lens to ground level. In the hole is a HiHat + an O'Conner 100
Yes... ...once upon a time I did Sit-Coms as well... (yes, that is a Panaflex X, talk about Old School!)
